Freelance Work
In 2016 I left my job at JBO Production to pursue a career in freelance filmmaking. Since then I've had the pleasure of working on many sets in a variety of roles, but have since begun to specialize as a member of the Grip and Electric Department and Camera Department. Here is a list of the projects I've had a hand in bringing to life.
Good Samaritan (2019) – Feature Film - Santa Clarita, CA 2019 – 2019
Gaffer – 13 days, 2 camera setups, 360 wides on track, Day for night, ceiling rigs, exterior looks, M12s, Kino flos, Litemats L2s and L4.
Tick Tock (2019) – Short Film - Los Angeles, CA 2019 – 2019
Electric – Satire, Christmas themed, practicals, quazars, Kinoflo, Source 4s
Here or There (2019) – Short Film - Los Angeles, CA 2019 – 2019
Gaffer – Neon, saturated look. Astera Titan tubes, DMX app controlled.
Fantasy Pony (2019) – Short Film - Santa Clarita, CA 2019 – 2019
Gaffer – Mockumentary narrative, realism, practically/naturally motivated lighting, Quasars, M12
Arabian Alien (2019) – Short Film - Los Angeles, CA 2019 – 2019
Best Boy Electric / Gaffer – Noir aesthetics, hard light, desert shoots, M18s, 5k, Quazars, 2Ks.
2 Dollars (2019) – Short Film - Los Angeles, CA 2019 – 2019
Best Boy Electric – On location office building, M12, Kino Selects, Skypanel S60
No Comment (2019) – Short Film - Los Angeles, CA 2019 – 2019
Gaffer – Soundstage lighting, narrative taking place on interview set, shift b/w surealism and realism, 650w fresnels, M12, Quasars
Mi Amigo (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Electric – On location at house, M40, M18s, Skypanels.
Witch Hunt (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
2nd Unit Gaffer – Overhead rigs, Skypanels, 1Ks, 2Ks, forrest party scene on soundstage.
Veil (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Electric – 6 2Ks, Lekos, 1Ks, Dedo lights, Hudson Spiders, on location power at banquet hall, lighting for quick turnarounds.
Hex Your Ex (2019) – Short Film - Los Angeles, CA 2019 – 2019
Gaffer – M18s, Overhead Kinoflos, soundstage shoot.
Under the Flag (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Swing – Overhead camera rig 20ft in the air over staircase via bridge structured out of speedrail, ratchet straps
Trails (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Electric – Soundstage and On Location, M18s, Mirror board, RGB Quasars.
NYX Professional Makeup (2019) – Commercial - Los Angeles, CA 2019 – 2019
Best Boy Electric – Astera tubes rigged on fishing line and goalposts, Skypanel S60 on menace arms.
Open (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Electrician – M18s, Skypanels, Quasars, on location at house and in Malibu Creek.
At the Bottom of the Rain (2019) – AFI Thesis - Santa Clarita, CA 2019 – 2019
Swing – Exteriors in grassy, mountainous area, bounce board and solids.
Symphony of the Being (2019) – Short Film - Los Angeles, CA 2019 – 2019
Best Boy Grip – On location shoot, Skypanel S60s, 1600 Metal Hallides, Overhead rigs.
They Wont Last (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Electrician – Hotel room shoot, tight space, Quasars, blacking out windows, Litemat 2s.
Tape (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Grip – Skating rink, overnights, rigging above seating area at rink.
History of Monsters (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Grip – 12x12 booklight with Mole LED 10Ks and 5Ks
Outcast (2019) – Spec Shoot - Los Angeles, CA 2019 – 2019
Best Boy Electric – Lekos, 650s, M40, Warehouse Rooftop set up, 360 lighting for overnight exterior.
Centrimo Infomercial (2019) – Infomercial - Los Angeles, CA 2019 – 2019
Gaffer – 6ft Quasars, Arri 650Ws.
Vincent (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Electric – HPS 800s, 2Ks, 10Ks, Exteriors, Overnights, Rain.
Yellow Girl (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Electrician – HPS800s, 2Ks, S60 Skypanels, M18s, on location.
Miss Boundless (2019) – AFI Thesis - Los Angeles, 2019 – 2019
Electrician – 18K HMI, Soundstage and on location at Japanese Gardens, S60 Skypanel
Vincent (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Electric – HPS 800s, 2Ks, 10Ks, Exteriors, Overnights, Rain.
Rejoice (2019) – AFI MOS - Los Angeles, CA 2019 – 2019
Electrician – Mole 2Ks, overhead rigging, soundstage, S60 Skypanel, 5K.
Pine (2019) – AFI MOS - Los Angeles, CA 2019 – 2019
Best Boy Electric – M18s, 12x12 rags, exteriors in the mountains.
Out of Place (2019) – AFI Thesis - Los Angeles, CA 2019 – 2019
Best Boy Grip – Arri M40, S60 Skypanels, M18s.
War at Home (2019) – AFI MOS - Los Angeles, CA 2018 – 2018
Electrician – Lighting for 35mm film, Quazar tubes, S60 Skypanels, M18s.
When Today Ends (2018) – Feature Film - Los Angeles, CA 2018 – 2018
G&E Swing – On location at house and LA Kings practice rink, light overhead rigging with Kinoflos.
Life on Mars (2018) – Short Film - Los Angeles, CA 2018 – 2018
2nd AC – Assisted 1st AC and DoP, shot on Alexa Mini.
CRYPTO: The Process (2018) – Short Film - Malibu, CA 2018 – 2018
G&E Swing – On location in the mountains of Malibu, Apurture tech lights.
Joel and the Shawl (2018) – Short Film - Los Angeles, CA 2018 – 2018
2nd AC – Assisted 1st AC and DP in setting up and moving camera, Odyssey, batteries, lenses.
Hannah (2018) – Short Film - Los Angeles, CA 2018 – 2018
Best Boy Electric – Horror shoot utilizing S60 skypanel, 1.2 HMI and Quazar tubes.
Charlese (2018) – Spec Shoot - Los Angeles, CA 2018 – 2018
Key Grip – On location shoot featuring Kino select, 1.2 HMI, 1K open face Arris and Quazars.
Saturday (2018) - Short Film -Los Angeles, CA 2018 – 2018
2nd AC – Assisted 1st AC and DoP, on-location shoot.
Hot Dreams (2018) – Short Film - Los Angeles, CA 2018 – 2018
2nd AC/Swing – Shooting on location at Griffith park, filming with A7Sii, Arriflex Lenses, and Quasar tubes.
Til Death Pilot (2018) – Web Series - Los Angeles, CA 2018 – 2018
Best Boy Electric – Set up utilizing HMIs, Jokers, Quazar tubes and Sky Panels.
Blink (2018) – Short Film - Los Angeles, CA 2018 – 2018
Gaffer – 18 pages across 2 days and 4 locations. Utilized Joker HMI 200 and 800, doorway dolly and 6 ft Quasar tubes.
PUBG Finals (2018) – Next Gen E-Sports Live Event - Los Angeles, CA 2018 – 2018
Wrap PA – Breaking down live event staging including packing up computer monitors and towers, wrapping set dec and cables.
Burnt Out (2018) – NYFA Thesis - Los Angeles, CA 2018 – 2018
Electrician – Basic lighting set ups utilizing HMIs, Jokers, filters, gels, etc.
Prescience (2018) – Feature Film - Los Angeles, CA 2018 – 2018
Best Boy Electric – Single location, HMIs mimicing streetlights outside windows utilizing menace arms on combos. Multiple blind gags.
The Roommates (2018) – Short Film - Los Angeles, CA 2018 – 2018
Electrician – Basic lighting set ups utilizing HMIs, hive light, quazars, involved TV gag.
The Other John (2018) – AFI Short - Los Angeles, CA 2018 – 2018
Company Grip – On location shoot, blacking out windows, futuristic lighting utilizing HMIs, source fours with gels and quazar tubes.
Lethalz (2018) – Spec Shoot - Los Angeles, CA 2018 – 2018
2nd AC – On location shoot, assisted 1st AC and DoP
EMILY (2018) – AFI Short - Los Angeles, CA 2018 – 2018
2nd AC – Soundstage shoot, primarily steadicam, long takes, assisted 1st AC, Cam Op, and Steadicam Op.
Mr. Darkness (2018) – AFI Short - Los Angeles, CA 2018 – 2018
Best Boy Electric – Soundstage over head rigging using quazar tubes, speedrails, cheeseburoughs patched to dimmer board.
MIKA (2018) – AFI Short - Los Angeles, CA 2018 – 2018
2nd AC – On location shoot, primarily steadycam, assisted 1st AC and Cam Op.
Blackout (2018) – Short Film - Los Angeles, CA 2018 – 2018
Gaffer – 16 locations across 6 days, maintained grip truck, practical motivated lighting set-ups.
JUMP! (2018) – Short Film - Los Angeles, CA 2018 – 2018
Electrician – Interior shoot using Kinos, Source 4s, 5K Juniors and Quazar tubes.
The Oval Office (2018) – AFI Short - Los Angeles, CA 2018 – 2018
2nd AC – Sound stage shoot, assisted Cam Op and 1st AC, logged camera notes.
NYE (2018) – AFI Short - Los Angeles, CA 2018 – 2018
Grip – Assembled overhead lighting rig mimicking dancefloor lighting through speedrails, combostands and lights.
Focus (2018) – AFI Short - Los Angeles, CA 2018 – 2018
Grip - Lighting set ups using HMIs, source 4s, Kinos
Clusterfuck (2018) – AFI Short - Los Angeles, CA 2018 – 2018
Grip - Soundstage experience, including booklights, t-bones and flags alongside HMIs, Source 4s and Kinos.
David Crosby - Home Free Music Video (2018) – Alta Dena, CA 2018 – 2018
Set PA - Assisted in lighting set ups and delivered craft services.
Ralphs Valentines Day/Super Bowl Corporate Video (2018) – Corporate Video - Los Angeles, CA 2018 – 2018
PA - Assisted in basic lighting and camera set ups.
The Third Voice (Working Title) (2018) – Corporate Video - Los Angeles, CA 2017 – 2017
2nd AC / Grip - Set up camera, lighting and sound equipment for interviews.
The Woman in the Photo (2018) – Short Film - Los Angeles, CA 2017 – 2017
2nd AC - Worked with Arri Alexa XT and set up dolly mounts.
SYN (2017) Pilot – Los Angeles, CA 2017 – 2017
2nd AC/Grip - Assisted DP and 1st AC in prepping and maintaining Black Magic Ursa and setting up lighting.
The Missing Pete (2017) – Corporate Video -Los Angeles, CA 2017 – 2017
2nd AC - Assisted DP and 1st AC in prepping and maintaining RED at CBS Digital Studios and slating.
Corporately Challenged (2017) Pilot – Los Angeles, CA 2017 – 2017
1st AC - Assisted DP in prepping and maintaining A7SII, swapping lenses and slating.
Gringa (2017) – Short Film - Los Angeles, CA 2017 – 2017
Camera PA - Assisted DP, 1st AC, and 2nd AC in prepping Arri Alexa, camera gear and video village.
Solstice Ranch (2017) – Short Film - Los Angeles, CA 2017 – 2017
Camera PA / Grip - Exterior shoot in mountainous region, helped set up lighting and camera.
OGX Kandee Johnson Commercial (2017) – Los Angeles, CA 2017 – 2017
PA / Grip - Assisted 1st AD, 2nd AD, and DP in setting up lighting, wiring electrical equipment, and flipping set.
The Teacher Around Us (2017) – Short Film - Los Angeles, CA 2017 – 2017
DIT / Grip - Set up lighting and moved camera during shoot.
The Lady Killer (2017) – Short FIlm - Tampa, FL 2016 – 2016
1st AC / Grip - Assisted DP with pulling focus, setting up camera rigs and setting up lighting rigs.
Space Navy Pilot (2017) – Tampa, FL 2016 - 2017
Grip / PA - Set up and maintained lighting equipment.
King Charles (2017) – Feature Film - Tampa, FL 2016 – 2016
Grip / PA - Assembled and maintained camera and lighting rigs according to project management requirements.